| 001006 | Veni Creator Spiritus | 5' | A |
|
| Two-Part choir (Women and Men) + Organ |
| 'Come Holy Ghost' |
| Written for FifteenB and first performed at a Catholic Stage Guild mass for World Aids Day,
this piece is based on the Credo for the Missa Veni Sancte Spiritus
words
|
|
| 4-part motets |
| 001011 | Ave Verum Corpus | 4'10 | A |
|
| Choir:SATB + Soprano and Alto Solos
words
music
|
|
| 001017 | Cantate Domino | 2'40 | A |
|
| Choir: SATB + Soprano Solo |
| 'Sing to the Lord a new Song' |
| Setting of words taken from Psalm 98.
words
|
|
| 001002 | De Profundis | 3' | A |
|
| Choir: SATB |
| Setting of Psalm 129(130) written for the choir of St. Mary's Catholic Church, Chelsea, conductor Malcolm Cottle.
|
|
| 001010 | Exaudi | 3' | A |
|
| Choir: SATB |
| 'Hear our lowly prayers' |
| Setting of the Collect for the Mass for the Conferring of Holy Orders.
Written for the celebrations of the 40th Anniversary of the Ordination of Canon Vincent Berry.
words
|
|
| 001004 | Kyrie with Tropes | 6' | B |
|
| Soli (or Choir): ATTB |
| Setting of an Anglo-Saxon troped Kyrie taken from the Winchester Troper. First performed by members of FifteenB.
words
|
|
| 001015 | Lucis Creator Optime | 5'20 | B |
|
| Choir: SATB + Organ |
| 'O Blest Creator of the Light' |
| Setting of the Hymn from the Vespers service for Sundays.
words
|
|
| 001016 | Propter quod | 3' | A |
|
| Choir: SATB |
| 'Prove yourselves doers of the word and not merely hearers who delude themselves.' |
| Words taken from James 1.
words
|
|
| 001008 | Regina Coeli | 4' | A |
|
| Choir: SATB + Organ |
| Motet in the form of a Canon.
words
|
|
| 001005 | Salve Regina | 3' | A |
|
| Choir: SSAA |
|
words
|
|
| 5-part motets |
| 001002 | De Profundis | 3' | A |
|
| Choir: SATBaB |
| 5-part version of the De Profundis. This 5-part version was first performed by the choir of the Oxford Oratory, conductor Edward de Rivera.
|
|
| 001013 | In Principio | 4'30 | B |
|
| Choir: SmSATB |
| 'In the beginning was the Word' |
| Setting of the opening words from St. John's Gospel.
words
|
|
| 001001 | Jesu Rex Gloriae | 3' | A |
|
| Choir: SATTB |
| Motet for the Feast of Christ the King, setting words taken from the Gloria and the Antiphons for the Feast of Christ the King.
Written for the Choir of St. Mary's Catholic Church, Chelsea.
|
|
| 001012 | Quotiescumque manducabitis panem hunc | 4'30 | A |
|
| Choir: SATTB |
| 'For as often as ye eat this bread'
Communion Motet - Words from the Communion sentence for the Feast of Corpus Christi.
words
|
|
| 001018 | Two Five-Part Motets | 4'30 | B |
|
| Choir: SSATB |
| 1 - Salve Regina
2 - O Salutaris Hostia
words
|
|
| 001020 | Salve Regina a 5 | 3' | A |
|
| Choir: SSATB |
| words
notes
music
|
|
| multi-part motets |
| 001014 | O Quam Suavis Est | 4' | A |
|
| Choir: SmSATBaB |
| 'O How Sweet...' |
| Communion Motet - Words from Wisdom 16, Luke 1
words
|
|
| 001009 | Gaude, Gaude Maria | 6' | C |
|
| Choir: SSSAATTTBB |
| Words taken from the sequence 'Gaude, Gaude Maria' - written for Cambridge Voices, conductor Ian de Massini.
First performed by them at Church of St. Etienne du Mont, Paris.
|
|
| 001003 | Three Prayers | 12' | C |
|
| Choir: SSAATTBB |
| 1. Ave Maria
2. Exaltabo Te
3. Pater Noster |
| Written for London Concord Singers.
The Ave Maria is based on the dialogue between Gabriel and Mary, expanding into a cry from the entire congregation at the words "Sancta Maria". Et Exaltabo Te is a simple song, setting part of Psalm 29, written for Soprano solo (or group of Sopranos) accompanied by choir. The Pater Noster opens with a figure based on the sound of a congregation muttering the prayer to itself. Over this is floated a lyrical setting of the words for Soprano and Alto in canon. Despite being performed in Latin, the prayer is set in the Anglican version with the final two lines by St. Augustine.
words
|
|
| 001007 | I Vespri di Santa Cecilia | 6' | C |
|
| Choir: SSAATTBB + SmSATBaB Soli |
| 'This is a Wise Virgin' |
| 14-part setting of words taken from the Vespers Antiphons for the Feast of St. Cecilia,
written for an 8 part choir and 6 soloists (6 part semi-chorus).
Written for the 30th Anniversary of London Concord Singers, the piece also exists in an, as yet, unperformed 30-part version.
words
|
|
